/ Balletto
Adolphe Adam /
fantastic ballet in two acts
Based on Jules-Henri Vernoy de Saint-Georges and Théophile Gautier’s scenario from a Heinrich Heine’s tale
First performance: Paris, 28th of June 1841.
Conductor | David Garforth
Original Choreography | Anna Razzi
Interpreters
Giselle, Marianela Nuñez (24 March performance of h 21, 25 March) / Claudia D'Antonio (24 March performance of h 17, 27 March) / Anna Chiara Amirante (28 March)
Albrecht, Vladislav Lantratov (24 March performance of h 21, 25 March) / Denys Cherevychko (24 March performance of h 17, 27 and 28 March)
Hilarion, Ertu Gjoni (24 March performance of h 21, 25 and 27 March) / Stanislao Capissi (24 March performance of h 17) / Gianluca Nunziata (28 March)
Myrtha, Luisa Ieluzzi (24 March performance of h 21, 25 and 28 March) / Martina Affaticato (27 March)
Production of Teatro di San Carlo
Teatro di San Carlo Orchestra and Corps de Ballet
Saturday 24 March 2018, h 17.00 – Series A // h 21.00 Out of Subscription
Sunday 25 March 2018, h 17.00 - Series F
Tuesday 27 March 2017, h 20.00 - Series C/D
Wednesday 28 March 2018, h 18.00 - Series B
Unrivalled model and first eminent example of “romantic” ballet , Giselle is inspired by an ancient Slavic legend, the Wilis, described by Heinrich Heine in De l’Allemagne (1835). The ballet narrates the impossible love story among the young peasant Giselle and Prince Albrecht. A love so strong to triumph over the vengeful spirit of Wilis.
The Première is dedicated to the memory of Elisabetta Terabust
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Weekdays |
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PRICES |
Full |
Reduced Groups 10-20 people |
Groups >20 people |
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Full |
Reduced Groups 10-20 people |
Groups>20 people |
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Super Stalls Gold |
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110 |
99 |
94 |
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90 |
81 |
77 |
Super Stalls |
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95 |
86 |
81 |
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75 |
68 |
64 |
Stalls Gold |
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95 |
86 |
81 |
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75 |
68 |
64 |
Stalls |
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75 |
68 |
64 |
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65 |
59 |
55 |
I, II tier central boxes parapet |
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70 |
63 |
60 |
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60 |
54 |
51 |
I, II tier central boxes behind |
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65 |
59 |
55 |
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55 |
50 |
47 |
Royal box |
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300 |
270 |
255 |
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250 |
225 |
213 |
I, II tier side |
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70 |
63 |
60 |
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60 |
54 |
51 |
I, II tier side |
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60 |
54 |
51 |
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50 |
45 |
43 |
III, IV tier central boxes parapet |
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55 |
50 |
47 |
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50 |
45 |
43 |
III, IV tier central boxes behind |
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50 |
45 |
43 |
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45 |
41 |
38 |
III, IV tier side boxes parapet |
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45 |
41 |
38 |
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40 |
36 |
34 |
III, IV tier side boxes behind |
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40 |
36 |
34 |
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35 |
32 |
30 |
V, VI tier balconies |
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35 |
32 |
30 |
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30 |
27 |
26 |
Listening only seats* |
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20 |
- |
- |
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20 |
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INFORMATION AND BOOKING
Reduced rate tickets
Reduced fees are reserved to Members, to groups of at least 10 people and to associations agreed upon Teatro di San Carlo.
Subscriptions
The Opera and Ballet Subscription (Full Season - Series A, B, C/D and F) includes a selection of 18 performances proposed by Teatro San Carlo:
*(Pulcinella, La Fanciulla del West, My Fair Lady, La Traviata, Mosè in Egitto, Giselle, Lady Macbeth del distretto di Mcensk, Il Cappello di Paglia di Firenze, Nabucco, Tosca, Gala Vassilev, La Dame aux Camelias, L’Amour des Trois Oranges)
**A ticket pack, among the following ones, assigned upon seats availability at the moment of the subscription:
Juraj Valčuha /Simon Trpceski - Donato Renzetti / Toni Servillo - Recital Grigorij Sokolov - Juraj Valčuha/ Stefan Jackiw
Maxim Vengerov - Henrik Nanasi/Sergej Krylov - Pinchas Zukerman - Zubin Mehta
Zubin Mehta/Salvatore Accardo - Yuri Simonov /Esther Yoo - Pinchas Zukerman/Royal Philharmonic Orchestra - #madreincerta Marco Paolini / Mario Brunello
Juraj Valčuha/ Maria Agresta – Concerto di Natale - Donato Renzetti / Toni Servillo - Quartetto d’Archi del Teatro di San Carlo - Juraj Valčuha/ Stefan Jackiw
Juraj Valčuha - Henrik Nanasi/Sergej Krylov - Recital Olga Borodina - Zubin Mehta
Zubin Mehta/ Salvatore Accardo - Yuri Simonov /Esther Yoo - Recital Michael Barenboim - #madreincerta Marco Paolini / Mario Brunello
The subscriptions usually include operas played by the main cast. Where otherwise indicated, the subscribers can change the counterfoil at the Ticket Office.
Group booking start from 21 September 2017.